Tuesday, November 29, 2011

Absolution - Band Interview

!±8± Absolution - Band Interview

On Saturday, April 8th, we got to sit down with yet another incredible local band, Absolution. They
had just finished playing a set at a March of Dimes Benefit show in the Schuylkill Mall. What
transpired was one of the best interviews we've ever experienced, and a seven page transcription
of our conversation. I get the lucky job of reviewing that transcription and editing it down.

Absolution is made up of four musicians from all over Pennsylvania (plus one guy who apparently
never got the memo that he's not actually a member of Absolution - just kidding, we love you, Bill!)

The band's new singer, Chad, has been with them for just over a year and the band has been
writing some new material with him. "It's starting to feel like this is the way it's always been," they
told us. The band is looking to refine their live shows by taking a critical look at their own
performances, and by inviting others to voice their opinion, no matter if it's positive or negative. "We'
d rather people say, 'You know, it was really kind of sucky today,' Or, 'There was no energy.' I'd love
that, but it doesn't happen often."

The band will also be taking the majority of the month of June to finish recording their first full-
length album, which will be released independently. Be sure to get out and see these guys while
you have the chance!

Absolution was one of the bands participating in the Last Band Standing competition which
showcased some of the most talented bands in central PA. They were quick to mention their
appreciation and enjoyment in the competition which allowed them to perform with other local
bands. "You know, it's cool that Vera Cruz is doing that, that they're setting everything up and
allowing people to get out there and have their stuff heard. Not a lot of people are doing that. They'
ve helped a lot of bands get out there and at least be seen by people."

One of the things that impressed me about Absolution was their appreciation and admiration for
other bands and the organizations that support local music. They can remember every band they'
ve played with and have such a high regard for others in the music business. It's great to see that
kind of attitude, that kind of support.

"I don't think original music would be around right now if it wasn't for people like you guys and Vera
Cruz. It seems like it was going downhill. Everyone wanted to go see a DJ or party bands, and
original music was just dying. We really appreciate groups like [Word of Mouth], Vera Cruz
Records, The Divide, NEPA bands and fans on myspace. There are so many, I don't think I could
name them all. We really appreciate that. And all the bands do."

Our trademark question: What do you think of the local music scene?

It's getting better. I'm loving the original stuff. I'm loving the bands' twist on cover songs, you get a
band doing their own version of a song. We're getting a lot more bands starting out at a younger
age, like when I was in high school and starting a band there was probably like 5 bands in the
area. And now it seems like everyone is in a band in high school. That's great because it's going
to turn into more talented bands when they get to be our age, because if everyone started out when
they were 14 or 15 years old, you're only going to get better. As long as you keep playing your
instrument, you've got to get better. It's not like you can get worse at it. I'm going to be really
excited to see the scene in this area about 10 years from now. All these bands that are 15 are
going to be in their mid twenties. Playing while they're in college, meeting people in college and
playing. It's going to be great.

Chad: A lot of the bars in the area, if you went to them a few years ago they would ask, "Do you play
any covers?" And if you said no, they said, "Well, you can't play here." It almost doesn't matter
anymore.

Tom: We had one experience at Goodfellas where after As Each Day Dies won the battle of the
bands, they invited us to come back. We played that show, and we threw in a couple covers,
because we weren't sure what they wanted. And they wanted more originals. It was great to hear.

Boge: I remember saying on stage, "We've got one more song, do you want an original or a
cover?" And it throws me when people want an original song."


Absolution - Band Interview

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Sunday, November 27, 2011

How To Go On Stage And Make People Laugh Part 3

!±8± How To Go On Stage And Make People Laugh Part 3

Many comedians, such as George Lopez, Nick Cannon, and Minnie Pearl, grew up poor and if they didn't have athletic talent, what could they do? They had a sense of humour, and made a living from it.

For most people, going up on a stage is the most gut-wrenching experience known to man. But, now that you know the basics of humour through reading this series, let's see what it takes to actually go on stage.

* First, you need good material that's funny (obviously). Assemble about 30 or 40 jokes, funny stories, life experiences that you can think of. Cull through them and pick only the best. Then time it by reading in front of a mirror. It should fit into your allotted time on stage.

* Don't try to "wing it" by just saying whatever comes to mind, thinking you're funny when you're not. That's a surefire way to bomb; both you and the audience won't forget it, and some may walk out.

* Start off small in some little-known club or cabaret. That way, if you don't do well, it won't be a national catastrophe that ends up on Inside Edition some evening. Start in small venues, then work your way up. Make a video on YouTube or other video sites with your best material. Be creative, but in good taste; it could go viral if enough people like it.

* Have confidence in yourself. After assembling a great collection of jokes and stories, practice in front of a mirror, and look confident. One comedian, Herb Shriner, back in the 60's, often came on stage while the audience was applauding and the band playing. When the applause died down, he said simply, "Hello". That was it, and for some reason, the way he said it, people laughed. But that was his trademark. Develop your own trademark or schtick.

* Fourth, as they announce your name before you go to the stage, take a deep breath, hold it a few seconds, then let it out slowly. This helps relax you.

* Fifth, have cue cards handy, if possible, in case you have stage fright. But don't let it look as if you're reading the cards; it will look as if you're not prepared. Act natural; be yourself.

* Never drink or do drugs before going on stage, not even one. Liquor makes for loose lips, and you could say or do something you'll regret for a long time.

Next, if someone heckles you, let it pass. One well-known actor from a well-known sitcom was doing his routine, when someone started heckling him, and he returned with his own remarks. But someone was capturing all this on video, and it went viral.

Things turned ugly and that comedian's reputation is in tatters.

Remember, a heckler has nothing to lose; you have everything to lose. So be well-prepared with good material, start off small, be creative, have confidence, and treat your audience with respect. The ability to make people laugh will give you an incredible high, and a wonderful sense of accomplishment.


How To Go On Stage And Make People Laugh Part 3

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Friday, November 25, 2011

BHS Prom Assembly 2009 - Tour

Took 35 people about eight hours to construct. The theme is All You Need Is Love. Highlights include a double decker bus, rainbow floor, piano keys, vinyl disk with the trademark apple logo, floor with Beatles quotes and the band name in glow in the dark, octopus garden, and strawberry fields.

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Tuesday, November 22, 2011

WOBBLE & LEVENE - PiL PopTones *Full Screen*

Courtesy of the SpexJr channel - here is the full screen version of the Poptones video featuring Keith Levene, Jah Wobble and Johnny Rotter of The Sex Pistols Experience. PiL's second album is generally regarded as their best, as well as one of the most influential albums of the post-punk era.[citation needed] The departure of Jim Walker made way for a series of new drummers. Auditions were later held at Rollerball Studios in Tooley Street, London Bridge. David Humphrey was their second drummer, who went on to record two tracks for Metal Box at Manor Studios in Oxford, namely "Swan Lake" and "Albatross". "Death Disco" (aka "Swan Lake") was released as a single in 1979 and reached #20 in the charts. The majority of the drumming on the album was provided by Richard Dudanski, PiL's drummer from April to September 1979. He was replaced by Karl Burns (formerly and latterly of The Fall). Following sessions took place in which Martin Atkins would show up for an 'audition' and discover himself in the middle of a recording session with the tape rolling. The recording was released on Metal Box as "Bad Baby".[7] Atkins was PiL's drummer from 1979 to 1980 and 1982 to 1985. Metal Box was originally released as three untitled 45-rpm 12-inch (30-cm) records packaged in a metal film canister (it was later reissued in more conventional packaging as a double LP set, Second Edition), and features the band's trademark hypnotic dub reggae bass lines, glassy, arpeggiated guitar, and bleak ...

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Saturday, November 19, 2011

Queen - Flash 1980

Good quality video recorded from Top Of The Pops 1980. Queen are a British rock band formed in London in 1971, originally consisting of Freddie Mercury (lead vocals, piano), Brian May (guitar, vocals), John Deacon (bass guitar), and Roger Taylor (drums, vocals). Queen's earliest works were heavily influenced by progressive rock; in the mid-1970s, the band ventured into more conventional and radio-friendly works, bringing them greater commercial success. It also became something of a trademark to incorporate more diverse and innovative styles in their music, exploring the likes of vaudeville, gospel music, electronic music and funk. Brian May and Roger Taylor had been playing together in a band named Smile. Freddie Mercury (then known by his birth name of Farrokh, or Freddie, Bulsara) was a fan of Smile, and encouraged them to experiment with more elaborate stage and recording techniques. Mercury himself joined the band shortly thereafter, changed the name of the band to 'Queen' and adopted his familiar stage name. John Deacon was recruited prior to recording their first album. Queen enjoyed success in the UK during the early 1970s, but it was the release of Sheer Heart Attack (1974) and A Night at the Opera (1975) that gained the band international success.The latter featured "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks. In 1991 Mercury died of bronchopneumonia, a complication of AIDS, and Deacon retired in 1997. Since then May and ...

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Friday, November 4, 2011

James Bond

!±8± James Bond

NOBODY DOES IT BETTER

ON HER MAJESTY'S SECRET SERVICE

FOR YOUR EYES ONLY

JAMES BOND, JR.

GOLDENEYE

BIRDS OF A FEATHER

THE REAL JAMES BOND

JAWS VS. JAWS

SCOTLAND FOREVER

SECRET SERVICE

ABOVE THE LAW

THUNDERBALL REDUX

NEVER SAY NEVER AGAIN

MOVIE TRIVIA

WARHEAD 2001

LICENSE TO KILL BILL

PARTING SHOTS

"He'll light the fuse on any explosive situation" - Miranda Frost

NOBODY DOES IT BETTER

James Bond, the world famous super spy. Complete with the gadgets, cars, style and women. Everyone woman wants him. Every man wants to be him. Perhaps the best-known movie hero, more than half the world knows of James Bond. Couple that with the longest running movies series of all time and you have an unmatched superhero.

ON HER MAJESTY'S SECRET SERVICE

To be James Bond, you got to be convince us you're British. George Clooney and Brad Pitt don't have a chance in Hades of pulling that one off, no matter how good their accents are. Pierce Brosnan nails it, cause he at the very least, already had an accent, granted it was Irish. Plus he's tall, at 6' 2'' he's the same height as the quintessential Bond, Sean Connery.

FOR YOUR EYES ONLY

Seems Brosnan has at least one more, if not two more, Bond films to go before hanging up the tux, so who might take on the role after his departure? Could be Hugh Jackman. He wouldn't be the first Australian to play Bond, George Lazenby was also from the land down under.

JAMES BOND, JR.

Back in the early 90's a cartoon spin-off emerged. This go around was with James Bond's teenage nephew taking on super villains the world over. The younger Bond, took on some his uncle's more famous foes, including Dr. No and Jaws.

GOLDENEYE

After returning from serving with British Naval Intelligence during World War 2, Ina Fleming retired to Jamica and built a house he dubbed, "Goldeneye". In this house is where he first took up writing full-time and created the character that would make him famous. He wrote most of his novels in wearing shorts and flip flops.

BIRDS OF A FEATHER

Fleming got the name "James Bond" from a real-life ornithologist in Philadelphia who was named "James Bond". He had a copy of his book: "The Birds of the West Indies" and took a liking to the name. In "Die Another Day", Bond poses as an ornithologist while undercover.

THE REAL JAMES BOND

Ian Fleming supposedly modeled the character of James Bond after a real life person named, Merlin Minshall. Minshall had worked for Fleming during World War 2, as a spy. Some believe he took up writing the Bond stories as a clever way of divulging classified information.

JAWS VS. JAWS

Riding his gargantuan success with Jaws, Spielberg wanted to make a Bond film in the late seventies. His buddy, George Lucas said he had something better for him to do and thus Indiana Jones was created. The original draft of Raiders of the Lost Ark script had Indy in tuxedo doing his lady's man routine, but it was removed and later appeared to some extent in Temple of Doom.

SCOTLAND FOREVER

Sean Connery has worn a toupee in every Bond film he has ever been in on account of the fact that he started loosing his hair at the age of 21. In the majority of his other films and off-screen he goes all out natural. He also has two small tattoos on his right arm, one reading, "Scotland Forever" and the other, "Mum and Dad". He acquired the tats at the age of 16, while in the British Navy.

SECRET SERVICE

Once worked as a coffin polisher and milk delivery man. He even modeled naked for an art class at Edinburgh Art College, rumor has it that some of those paintings still survive today. If you prefer not to go topless, there is no better way to deliver the milk, than by wearing a 007 t-shirt from http://www.t-shirtking.com/

ABOVE THE LAW

Connery was injured during martial arts training for his role in Never Say Never Again. He made his instructor made, who in return broke his wrist. However, Connery didn't know it had been broken and lived with the injury for some years. The instructor was Steven Seagal.

THUNDERBALL REDUX

"Never Say Never Again" was essentially a remake of "Thunderball" Connery starred as Bond in both of them, however the second go around was during the Roger Moore days. So why did this happen? Apparently, Kevin McClory who was the producer and co-writer of "Thunderball" won a legal battle with Ian Fleming that allowed him to make his own Bond film. The only stipulation was that it had to be a remake of "Thunderball".

NEVER SAY NEVER AGAIN

Connery couldn't refuse once again donning the tux and the remake title for "Thunderball" came from Connery's wife. After doing, "Diamonds are Forever" he told her he'd never play Bond again. Of course, that wasn't true now and her response was for him to "never say never again". There are some differences from this and other traditional Bond films, the theme song, the gun barrel sequence, the 007 gun logo and the trademark opening sequence are all missing. James Bond aslo doesn't drink a martini - shaken not stirred. Instead he orders, Vodka on the rocks.

MOVIE TRIVIA

Just as every actor to play Bond had a natural accent, so have all the film directors, including Irvin Kershner , who directed "Never Say Never Again" right after directing "The Empire Strikes Back".

WARHEAD 2001

In 2001, McClory was attempting to make another Bond film, this time in conjunction with Sony Pictures. However, after he was forced to make public the details of his controversial Bond film, his efforts were blocked and all Bond rights fell solely to MGM. Unfortunately, we will never get to see what McClory's vision of Bond could have been.

LICENSE TO KILL BILL

Quentin Tarantino has stated he'd like to one day make a Bond film.

"Someday I'm going to get the rights to do 'Casino Royale,' the first James Bond novel, and do it the right way. I really wanted it to be my followup to 'Pulp Fiction' and do it with Pierce Brosnan, but have it take place after the events of 'On Her Majesty's Secret Service' - after Bond's wife, Tracy, has been killed." I want Bond to be in mourning when he falls in love with Vesper Lynd, the woman in the novel. From what I know of Brosnan and read in interviews, I think he'd want to go in the direction I'd want to take Bond, though I'm not certain producers of the series would agree." If he does it, he'd be the first American director to helm a Bond film.

PARTING SHOTS

James Bond: "You know you're cleverer than you look."
Q: "Better than looking cleverer than you are."

"I always make it a rule never to look back. Otherwise, I'd ask myself how I could write such piffle and live with myself, day after day." - Ian Fleming

Reported last words, to the ambulance attendants: "Awfully sorry to trouble you chaps." - Ian Fleming


James Bond

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